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The plasticity of the paste oil paint for the painter has brought a flexible, broad and free Extra Large Abstract Canvas Art space. And in addition to brushes, painters can use a variety of tools such as scrapers to paint. The painter can combine the effects of transparency and opacity in the entire range of the same picture.
Oily pigments drying slowly, painters can repeatedly alter the picture, and can directly color on the screen.
Large Black and White Art are bright in color, conducive to the description of the image texture, can fully express the complex tone levels of the image, with transparent, thick and rich superior effect.
Different toners can be used to control the drying time of the color. The contrast of the thickness of the color layer and the change of the brush strokes can be used to produce rich texture of the picture, or to paint on the surface with texture, or to add granular substances to the pigment to express special objects.
Big Black and White Painting have strong covering power and plasticity. It can be completed at one time or covered by multiple layers, and the color layer will not fall off. The oil reservoir is firm and durable after drying, and the color is bright. There is no change in the pigments during drying. It can draw large-scale canvas Large Black and White Art, which are easy to transport, decorate, collect, preserve and clean.
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large abstract paintings on canvas-Not long after Raphael's death,Big Canvas Art as a whole, the golden age of Renaissance art in the heyday of Italy was over, and a new art began to appear.
Da Vinci, Michelangelo, Raphael and other masters created a large number of brilliant art products, established a perfect model.
In people's eyes, they are the most perfect embodiment of rational thinking. Later artists could not help feeling that they are facing the sea.
Some young Italian artists,Black and White Wall Art inspired by the drum dance created by Michelangelo and Raphael, try to imitate and develop their styles
regardless of the inner spirit of their works.
Others, who are more talented and ambitious, are committed to change and innovation in formal language, and to showing their own characteristics in their works.
In general, their creation deviated from the ideals and basic principles of Renaissance art in its heyday, and abandoned its natural, harmonious and pure artistic style.
They pursue a style with unique visual effects and strong sense of form.
Works from their hands, often with carved meaning, cold and distant taste,Contemporary Wall Art quite subjective and fantasy color.
But for those with fancy tastes, they are something of a charm.HANDMADE ABSTRACT ART MODERN WALL ART
This artistic phenomenon was popular after the Renaissance in its heyday and before the baroque era. Historians called it stylistic art.
Chinese people also have according to the western translation of stylistic or decorative art.
Florence is the birthplace and most important center of style art.
Under sarto, there emerged the early representatives of stylistics, pondolmo and Russell.
Pontormo (1494--1557), whose real name is Jacob kalusi, has a distinct personal style. The name Pontormo comes from the small village where he was born.
He entered sato's workshop in 1512, and his work showed more new elements than his teacher's.
The most characteristic work of pondolmo's style is "under the cross of Christ" (about 1526--1528), which is filled with images of characters stuck almost completely flat on the foreground. These light colored and smooth figures seem to
float like clouds in the void without a sense of real space.
They lack a sense of volume and weight, like thin paper cuts.
Christ's posture is reminiscent of the Christ in Michelangelo's lament for Christ, but lacks a sense of weight or substance.
The virgin Mary and the other characters are full of a strange surprise and anxiety, the whole picture is full of a dreamy feeling, one
A sense of unreality.
Although the picture is elegant and exquisite, but there is no natural calm style and friendly effect.
In short, there is a clear distance from the works of the Renaissance in its heyday.
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large abstract paintings on canvas
It is a common technique of classical realistic painting to use texture to achieve visual satisfaction.
Modernist school painter pays more attention to texture, even cloth piece,Large Canvas Art Cheap grass root, leaf and so on real object affix directly on the picture.
Here introduce several oil painting techniques that use texture to display the material-like texture:Plush: use a small brush to form a piece or use a small pen, a hard stick, etc. in a place of good color.
In the traditional method, there is the use of wood chips, sand and other things, specific practice: apply the glue solution to the required location, the glue surface is scattered with clean wood chips after screening, after the glue
and wood chips bonding, remove the excess wood chips (erect picture frame, pat on the back), dry after to prevent wood chips absorption, to spray a layer of glue solution on the surface.
Dong xiwen used millet as texture when he painted the carpet in the founding ceremony.Texture of grass: can be traced with a small pen.
The large area of grassland is often used dry dragging method, which USES a large amount of thick color to drag the brush,Large Canvas Art Sale and then drags the brush again and again until
the effect of thick grass is produced. The auxiliary tools such as painting knife and fan pen can be used.
The traditional method of expression is to use white pigment to speed up the dry oil to rub out the texture of grass on the bottom layer, and cover the color after drying, in order to make the color layer rich, you can use a small pen to
To use propylene material for texture, you need to spray the surface before coloring.
An American painter, Mr. Wise, used a slightly squished, rough-colored brush filled with water to paint the underlying layers of dried grass or fur.
The powder paste made by mixing big white powder or lide powder with latex can be made into a variety of texture, but not too thick, otherwise there is the possibility of falling off, so you can borrow the cutter when presenting the
grain such as wood grain.
When coloring, you can first reverse color.
If the effect is cold, use a light warm grey (brown with a small amount of black).
Then wipe with a clean cloth, and the color seeps into the crevices of the texture.Large Wall Art This layer of paint can be applied with propylene, as it dries quickly and firmly and ACTS on
the subsequent multiple appearances, and the turpentine is not easy to wash off.
The following USES the scratch, the cover repeatedly to be able to achieve the desired effect.
What are the materials and methods of oil painting texture
Oil paintings often use texture to fully express the external features of objects.
Texture is a special art effect that can make the picture touchable. It is hard to achieve by flat painting and coloring. It includes the texture of canvas, rough ground, changes of brush strokes, application of knife techniques and use
There is no lack of models of using texture in ancient oil paintings. Rembrandt's texture making is part of his technique.
Most classical masters use their own blend of white to create texture, and then use transparent painting on layer by layer.
Modern artists usually use big white powder and latex to make texture on the base or directly use white oil paint to make texture.
For example, the painter ai xuan USES white paint to make the quick dry oil (made in Japan, which is mixed with white paint and used to dry within 24 hours), and USES large-sized lui oil brush to apply rubbing and other expressive
methods to make the texture with a fluffy feel.
The painter, he duoling, used "Modeling" to shape the cream (featuring strong plasticity and easiness) to make the texture, and changed the writing style according to the texture of the image.
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The adornment of dining-room is everybody pays attention very much, development of current living standard is higher and higher, so a lot of people are in the home outfit exquisite problem is a lot of.
Now it is very popular for large abstrac tpainting son canvas on restaurant walls, which can make our restaurant look more beautiful. How much do you know about the selection of decoration paintings on restaurant walls
Decorative picture on restaurant wall - matching knowledge
The matching of the restaurant decoration painting should match the decoration style of the whole restaurant, mainly considering the content, color and frame style of the decoration painting.
Integral style maintains harmonious and unified, also can use the style of different kind make an ornament slightly, must not be too garish.
Oil painting is suitable for European style restaurant.
The adornment picture of flowers theme hangs easily in rural style eat hall.
Slant Chinese style restaurant had better match traditional Chinese painting, ink painting, watercolor painting and so on.
Dining-room suits adornment azimuth most is the metope beside table on, have very good adornment effect, because this adornment picture is tie-in should consider dining-room wall position.
According to the height of the wall collocation is appropriate the picture of size, can appropriate stay white to emphasize the aesthetic feeling of dining-room whole.
The dining-room metope that sticks wallpaper is tie-in, Chinese style wallpaper metope suits to tie-in traditional Chinese painting, Europe type wallpaper is usable canvas, jian ou wallpaper metope can hang frameless oil painting.
If the metope of special material, match with material, if woodiness material appropriate is tie-in the abstraction that contains woodiness picture frame and impressionism oil painting.
The decoration of the restaurant is mainly white, with the decoration of light color frame.
Instead, don't hang decorative paintings in all-white frames.
Decorative paintings on restaurant walls - knowledge of selection
Dining-room is the functional place that USES have a meal, the main function of adornment picture is to enhance appetite of diner, also build comfortable and sweet have a meal environment.
In the selection, the restaurant decoration painting is based on personal preference, while considering the content, color, size and other issues.
The dining room decoration picture may choose the quietly elegant still life picture, compares if the flower, tableware and so on the realistic oil painting as well as the abstract oil painting;
Chinese traditional ink painting is quietly elegant, quiet and full of cultural deposits, giving people a sense of calm and relaxation, and edifying sentiment in the invisible.
The tone that the dining-room builds comes out will affect people's appetite, its adornment picture color suits to choose the warm color that gives priority to with orange, yellow, pink to hang a picture, the picture colour is concise,
downy, bright, clean, highlight the pure and fresh, quietly elegant of dining-room, do not choose red, deep green, deep blue to wait for too thick, slant dark color department picture.
Restaurant adornment picture is given priority to with small size commonly, can have intense depressive feeling otherwise, 50, 60cm left and right sides can, also want to consider of course the space of dining-room and metope height,
build a kind of anacreontic, elegant layout result.
At present the dimension of large abstrac tpainting son canvas on the market is the dimension of picture itself commonly, do not contain picture frame, before choosing, should measure the dimension of good dining-room metope beforehand, the quantity that
decorates picture, in order to calculate the dimension that gives adornment picture.
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